{"id":10378,"date":"2019-11-16T08:07:11","date_gmt":"2019-11-16T07:07:11","guid":{"rendered":"http:\/\/www.masharif.com\/fr\/?p=10378"},"modified":"2019-11-16T08:13:09","modified_gmt":"2019-11-16T07:13:09","slug":"les-archives-des-commentaires-poetiques-de-mohamed-salah-ben-amor-41-les-poemes-de-dominique-montaulard-ziani-41-2-stop","status":"publish","type":"post","link":"https:\/\/www.masharif.com\/fr\/2019\/11\/16\/les-archives-des-commentaires-poetiques-de-mohamed-salah-ben-amor-41-les-poemes-de-dominique-montaulard-ziani-41-2-stop\/","title":{"rendered":"Les archives des commentaires po\u00e9tiques de Mohamed Salah Ben Amor :41\u2013 Les po\u00e8mes de Dominique Montaulard Ziani :41-2 : Stop"},"content":{"rendered":"
\"\"<\/a>

Dominique Montaulard Ziani<\/p><\/div>\n

Stop<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Ce soir, j’ai envie de crier,<\/strong><\/p>\n

Crier “NON” \u00e0 la violence,<\/strong><\/p>\n

Crier “NON” \u00e0 la haine.<\/strong><\/p>\n

Je n’en peux plus de voir des armes<\/strong><\/p>\n

Cracher la douleur et la mort.<\/strong><\/p>\n

Je n’en peux plus de voir des femmes<\/strong><\/p>\n

Les yeux rougis de larmes,<\/strong><\/p>\n

Qui tiennent contre leur sein<\/strong><\/p>\n

Le corps meurtri de leur b\u00e9b\u00e9.<\/strong><\/p>\n

Je ne veux plus voir ces images<\/strong><\/p>\n

D’enfants transform\u00e9s en soldats<\/strong><\/p>\n

Pour une guerre qui n’est pas la leur,<\/strong><\/p>\n

Ces enfants qui ne savent plus jouer,<\/strong><\/p>\n

A \u00a0qui on vole leur innocence<\/strong><\/p>\n

Sans leur laisser le choix.<\/strong><\/p>\n

Ce soir, mon c\u0153ur se r\u00e9vulse<\/strong><\/p>\n

Devant ces photos d’humains en sang,<\/strong><\/p>\n

Devant mon impuissance.<\/strong><\/p>\n

Je voudrais soigner leurs blessures<\/strong><\/p>\n

Et surtout \u00e9touffer \u00e0 jamais la haine,<\/strong><\/p>\n

La folie, la jalousie, la guerre, la violence,<\/strong><\/p>\n

Ces cr\u00e9atures vomies par l’enfer<\/strong><\/p>\n

Qui br\u00fblent notre humanit\u00e9.<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Du point de vue style, ce po\u00e8me pose la question de la dualit\u00e9\u00a0: d\u00e9notatif \/connotatif , lequel \u00a0d\u2019entre eux \u00a0devrait \u00eatre privil\u00e9gi\u00e9 au d\u00e9triment de l\u2019autre \u00a0, vu que l\u2019auteure n\u2019a pas jug\u00e9 n\u00e9cessaire de faire un \u00a0large usage des figures rh\u00e9toriques , leur pr\u00e9f\u00e9rant le langage courant \u00a0direct \u00a0sauf dans les deux ultimes vers o\u00f9 elle a tenu \u00e0 cl\u00f4turer \u00a0son texte \u00a0par une image \u00e9tincelante (Ces cr\u00e9atures vomies par l’enfer qui br\u00fblent notre humanit\u00e9<\/strong> ).La r\u00e9ponse \u00e0 cette question est que dans le cas du th\u00e8me \u00a0de la guerre que la po\u00e9tesse aborde ici\u00a0, le r\u00e9el d\u00e9passe \u00a0de mille lieues l\u2019imaginaire, \u00a0\u00e0 tel point que les mots appartenant \u00e0 ce champ lexical \u00a0(violence \u00a0– douleur \u2013 mort \u2013 haine \u2013 armes \u2013 larmes \u2013 sang \u2026<\/strong>) et les images \u00a0\u00a0affligeantes r\u00e9elles semblables \u00e0 celles que \u00a0transmettent \u00a0\u00a0sans cesse \u00a0les m\u00e9dias (des femmes les yeux rougis de larmes, qui tiennent contre leur sein le corps meurtri de leur b\u00e9b\u00e9<\/strong> – enfants transform\u00e9s en soldat pour une guerre qui n’est pas la leur, des enfants qui ne savent plus jouer, \u00e0 qui on vole leur innocence \u00a0– ces photos d’humains en sang<\/strong>) suffisent \u00e0 eux seuls pour \u00a0cr\u00e9er l\u2019effet \u00a0recherch\u00e9 sur le r\u00e9cepteur ( lecteur ou auditeur ) \u00a0sans avoir besoin de m\u00e9taphores sophistiqu\u00e9es .Rappelons-nous que \u00a0pendant l\u2019occupation de Paris \u00a0\u00a0entre 1940 et 1944 , des po\u00e8tes surr\u00e9alistes \u00a0comme Robert Desnos \u00a0( surtout \u00a0dans son po\u00e8me \u00ab\u00a0Ce c\u0153ur qui ha\u00efssait la guerre …<\/strong>\u00a0\u00bb ) \u00a0, Pierre Emmanuel \u00a0, \u00a0Louis Aragon et Paul Eluard \u00a0avaient \u00a0lanc\u00e9 \u00a0tout un courant de po\u00e9sie de r\u00e9sistance\u00a0 dans lequel ils \u00a0avaient laiss\u00e9 de c\u00f4t\u00e9 leur” cadavre exquis ” \u00a0au profit de th\u00e8mes patriotiques\u00a0 et du langage parl\u00e9, dans le but de semer l\u2019espoir parmi leurs concitoyens . Un po\u00e8me touchant empreint d\u2019une sinc\u00e9rit\u00e9\u00a0 sans faille\u00a0!<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Stop \u00a0 Ce soir, j’ai envie de crier, Crier “NON” \u00e0 la violence, Crier “NON” \u00e0 la haine. Je n’en peux plus de voir des armes Cracher la douleur et la mort. Je n’en peux plus de voir des femmes Les yeux rougis de larmes, Qui tiennent contre leur sein Le corps meurtri de leur …<\/p>\n","protected":false},"author":2,"featured_media":10353,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[8],"tags":[],"yoast_head":"\nLes archives des commentaires po\u00e9tiques de Mohamed Salah Ben Amor :41\u2013 Les po\u00e8mes de Dominique Montaulard Ziani :41-2 : Stop - Culminances<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.masharif.com\/fr\/2019\/11\/16\/les-archives-des-commentaires-poetiques-de-mohamed-salah-ben-amor-41-les-poemes-de-dominique-montaulard-ziani-41-2-stop\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Les archives des commentaires po\u00e9tiques de Mohamed Salah Ben Amor :41\u2013 Les po\u00e8mes de Dominique Montaulard Ziani :41-2 : Stop - Culminances\" \/>\n<meta property=\"og:description\" content=\"Stop \u00a0 Ce soir, j’ai envie de crier, Crier “NON” \u00e0 la violence, Crier “NON” \u00e0 la haine. Je n’en peux plus de voir des armes Cracher la douleur et la mort. 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